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Key words in this issue: PhotoShop | Telegraph History | Digital Cameras | Portfolios | Animal Photos | Invasion of Privacy | Government Funds | B&W Printing | Stock Photo |

NEWSWORDS: Auction | Nimoy | Photo Pioneer | Family Business | Kodak Innovation | Photo PC | Photo Software | Megapixels |

 

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## PhotoAIM weekly newsletter for 10/12/02 ## 385b

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PhotoAIM, the weekly newsletter from PhotoSource

International. <http://www.photosource.com> ==>

ISSN 1530-0511

If you no longer wish to receive PhotoAIM, see the instructions at the end of this newsletter.

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PHOTOSHOP FOR STOCK PHOTOGRAPHERS – PART 1

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by David Arnold

Advance Notes: The stock photo world is going digital more rapidly than anyone expected. Photosource International’s latest survey of editorial photobuyers found that most of them want photographers to submit digital previews, and many are happy to accept the final product in digital form. The jury is still out on whether digital SLRs have truly come of age. Some pros use them, others point out that no digital camera can yet equal film for image quality, so they stay with film, and use a scanner to digitize their photos. But whatever route you take along the digital highway, you can’t drive directly from camera or scanner to photobuyer. Along the way you have to detour for a digital tune-up, using Photoshop or other image editing program. In this three-part series I’ll introduce some of the programs available, what they can do for you, and additional tools that can make your digital life easier and your digital images better.

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In years past photographers manipulated images by dodging, burning, tilting the easel to correct perspective, retouching prints and negatives, and so forth. Ansel Adams was a master of such techniques; today he’d be a master of Photoshop. You needn’t master imaging software, but if you’re going to stay in business you can’t ignore it, either. As fulltime stock photographer and PhotoStockNotes subscriber Kent Foster put it to me, "Image editing software is as important to your overall digital process as film is to your camera—period!"

But which image editing software? All can adjust exposure, modify contrast and color, remove dust, scratches, or a wayward blemish or twig, correct perspective, and enhance sharpness. But they differ in how they implement these capabilities, in other features, and in ease of use.

Photoshop (www.adobe.com, $609; Windows and Mac) is the best-known image editing program and, with an estimated four million users, the most popular. The majority of pros who work digitally, "Photoshop" their images—yes, it’s become a verb—before displaying them on the Web or submitting them to clients. Photoshop has more power and flexibility than any of its competitors, but also a higher price tag and steeper learning curve.

Want to read more of this article? Go to: http://www.photoaim.com/gen597.html

 

 

 

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This week's featured photographer on PhotoSourceFolio: Jim Umhoefer:

(http://www.photosourcefolio.com)

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FLASHBACK

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1861 - October 24 – The first transcontinental telegraph line began operation on this date, when U.S. Supreme Court Justice Stephen Johnson Field, in California, sent a message to President Abraham Lincoln, in Washington, D.C. It cost the general public $6 to send 10 words from San Francisco to New York, and 75 cents for each additional word. The telegraph line was so successful that it quickly put the Pony Express out of business.

 

 

SIDE BAR

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Buying Digital

When it comes to buying a digital camera, how do you determine what kind to choose? Ask yourself a simple question: "Why and how will I be using this camera?" If it's for family snapshots, you'll get an easy answer. If it's to supply professional digital images to a buyer, you'll get a different answer.

If your purpose is professional, you need to ask another question. "Will I be using this camera to supply images for commercial use such as for an advertising agency or commercial entity, or will the camera be used to supply quarter-page images for textbook publishers?" Your answer could make the difference between thousands of dollars in purchase price.

How do you find your answers? Ask. Find out from the clients on your personal Market List what kind of digital images they utilize (size, format, dpi, and so on). Select a camera that will deliver those needs. By tailoring your digital equipment to your clients' needs, you can assure their continued friendship, cooperation, and interest in your photos (i.e. sales).

SCANNERS BEGONE ?

Many photographers seem to think that once they purchase a professional-grade digital camera, they'll have no use for their scanner for film images.

A recent survey conducted by Trend Watch Graphic Arts shows a different story. The survey asked the question: "How Has Your Use of Color Scanners Changed as a Result of Owning a Digital Camera?" 54% of the respondents said scanner use stayed the same. 10% increased use, and 35% said they decreased the use of scanners.

More than half of the respondents stated that they're using their scanners at least as much now as before they purchased a digital camera.

Want to read more of this article? Go to: http://www.photoaim.com/sbar7.html

 

 

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OCTOBER 15th is the DEADLINE.

MORE SALES. When you sell a stock photo from your files, it’s like finding money. Many photos in your files languish there because photobuyers don’t know they exist. What if there were a way to broadcast their availability? At a cost no greater than the average fee you’d receive for a couple of photo sales? Having your own page in the PhotoSourceBOOK 2003 photographer directory will put you on the desks of 3,000 photobuyers 365 days a year (cost: $365 – a dollar a day to promote your photography to 3,000 select editorial photobuyers). < http://www.photosourcebook.com> Oct. 15th is the deadline. Zero percent financing! Pay $100 now, the rest spread out through 2003. 0% interest. To read what they’re saying about the PhotoSourceBOOK: http://www.photosourcebook.com/booktalk

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THE PIXEL PALACE

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by Joe Farace

Fresh Portfolios

Portfolio, anyone? When’s the last time you updated your portfolio? I know that many photographers have replaced their traditional portfolios with on-line and digital portfolios, so I’ll ask the question again. It doesn’t make any difference how you present your work to a client; it’s the content that matters. So how old are your images? If they’re more than 18 months old, it’s time to reevaluate.

This was brought home to me recently when I went to a gathering of local glamour photographers who had previously only communicated via an on-line forum. Many of us brought our "books," and when I got a look at how most of the shooters had kept on top of their portfolios and gradually updated them, I quickly realized that I had not. One of the problems was that I had gotten stuck in the 8x10 syndrome and the images had no space around them to "breathe." Even the book itself seemed puny.

While the solution was essentially an analog one—prints inside a book—the solution would have been too expensive if I had to rely on an outside photo lab to make the prints. I decided to go with a larger "book," one with 11x17-inch pages. This would allow me to make larger 11x14 photographs and allow space around the images. The book was a simple black vinyl portfolio purchased from a local art supply store for less than twelve bucks.

For the prints, I selected Epson’s Photo Quality Inkjet paper, available from www.inkjetart.com for $32.50 for a one hundred-sheet pack. Photo Quality Inkjet paper has a soft, semi-gloss surface, is medium weight, and inexpensive enough ($3.25 per page) to be able to update the portfolio after each new shoot. Portfolio prints are made using a six-color Epson Stylus Photo 1280, that’s old by today’s standards but still cranks our photo-lab quality prints in seconds for pennies instead of waiting days and paying dollars. (I expect to get a new seven-color Stylus Photo 2200 for testing and will report on it in an upcoming column.)

Joe Farace is a Colorado-based photographer and author of "Plug-in Smart" and 23 other books about photography and digital imaging. To order his books or find the location of Joe’s next digital photography workshop visit www.joefarace.com.

 

 

BUSINESS NOTEPAD

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DEER, WOODCHUCKS, RABBITS, SQUIRRELS. With the garden harvest season upon us, these are the animals that come in and steal a gardener's tomatoes, cucumbers, carrots, and other crops. If you're not a gardener, team together with a neighbor who is. If you have the right equipment, you'll capture some exciting night photography of these creatures as they practice their stealth while all of us sleep. Your neighbor will be happy to cooperate because he/she will discover which animal is stealing which produce, plus receive your gift of a scrapbook photo. You'll get some excellent stock photos for your files if one of your specialties focuses on woodland creatures – or gardens and gardeners.

-RE

 

THE LINE between INVASION OF PRIVACY and the "right to know" is always a concern of editorial photographers. In addition, each state looks at "privacy" differently.

1.) Generally, what can be seen from public view can be photographed without legal repercussions. Photographs taken in private places require consent. 2.) Public officials and public figures, and people who "put themselves out there" and become involved in events of public interest, have less right to privacy than do other individuals. 3.) Permission from a police department to accompany officers who legally enter private property may not immunize photographers from invasion of privacy suits. In most states, authorities may deny photographers access to crime scenes and disaster areas. Here's a good reference: "9 Keys to Avoiding Invasion of Privacy Suits" at http://www.rcfp.org/photoguide/ninekeys.html

 

 

ADS WE’VE READ

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GOVERNMENT FUNDS FOR PHOTOGRAPHERS Finance Your Career (www.usgovernmentinformation.com). Free recorded message: (707) 448-0200

CUSTOM B&W PRINTING & PROCESSING RC & Fiber up to 20x24 – processing up to 8x10 reasonable prices – exhibit prints – toning – proofing - copy work – Silver Images, 405 Buisness Park Lane, Allentown, PA 18103 Phone: (610) 433-4889.

Get Out From Under. Use Photo One studio management software like so many other professional studios do. Free demos by calling 888-428-2824 or visit www.granitebear.com for more great information.

 

 

 

QUOTE OF THE WEEK

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"Another belief of mine: that everyone else my age is an adult,

whereas I am merely in disguise."

–Margaret Atwood, Cat's Eye, 1988

 

 

FREE THIS WEEK

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FREE CAMERAS. Make your own choice of any professional level digital camera on the market and Desktop Digital Lab offers to show you how to get it at no cost. The program requires use of Desktop Digital Lab. For more information go to: http://www.freedigitalcameras.net. Let us know if this works! -RE

FREE CANDLE. Many fragrances to choose from. Offer valid for US residents only.

http://www.drewcandle.com/shopsite_sc/store/html/smarthtml/free_votive.html

 

 

THIS WEEK'S WEB FEATURE

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Position yourself so that photo researchers come to you for your stock photography. It's easy. Join the PhotoSourceBank. Photobuyers use this directory of specific photos and photographers to find the pictures they need.

http://www.photosourcebook.com/bank

 

Watch for developments in the field of stock photography in PhotoAIM's

PHOTOGRAPHY IN THE NEWS

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You'll be the first to know…

Note: If the URL is long, it may extend to two lines. In that case - clicking on it won't work. Instead, "copy and paste" the URL.

Great works will be on auction block - Walker Evans, Keith Carter and Alfred Stieglitz are some of the photographers who will be represented in the 24th annual benefit auction for the Center for Photography at Woodstock.

http://www.poughkeepsiejournal.com/today/lifeentertainment/stories/li100802s 1.shtml

Nimoy's photo depiction on book cover of nude not pleasing to this group.

http://news.lycos.com/news/story.asp?section=Entertainment&storyId=541933&topic=photography

Miller remembered as photography pioneer - Miller, 90, founder of Miller's Professional Imaging, the world's largest professional photographic lab and an award-winning photographer, died Friday, October 4th.

http://morningsun.net/stories/100602/loc_1006020003.shtml

Picturing The Community - A photography business that started almost by accident 50 years ago is still going strong and still run by the same family.

http://www.detroitjewishnews.com/news/newsdetails.cfm?uuid=000239E3-00BF-1DA 2-80BFAB07D88578F0

We knew there was something better! Kodak Launches New Film Processing System - - Eastman Kodak Co. on Monday unveiled a system for developing rolls of film that promises better quality photographs, another effort to slow the decline in picture-taking by consumers.

http://story.news.yahoo.com/news?tmpl=story&u=/nm/20021007/tc_nm/tech_kodak_dc_3

Week in review: Tech tricks - Have you shared photo files from a digital camera without a PC? Some of the more interesting new technologies unveiled this week are about doing without. The idea is to allow people to execute commands with a simple flick of the wrist, rather than navigate through complicated point-and-click toolbars and drop-down menus.

http://news.com.com/2100-1040-960758.html

Congratulations! Museum honors Adobe, chip gurus - Silicon Valley's Computer History Museum announced Monday that it will honor the founders of Adobe Systems and two other technology pioneers.

http://news.com.com/2100-1001-961043.html

Photo software focuses on masses - Dan Slavin is confident he has the answer for bringing digital photography to a mainstream audience: photo software for people who don't like to use photo software.

http://news.com.com/2100-1040-960680.html

E-Books are Ready for a Sequel - In a recent TWGA publishing survey, "e-book production" is up ever so slightly as a sales opportunity among book publishers.

http://www.trendwatchgraphicarts.com/fastfacts/fast190.html

New digital cameras are on the horizon that are 11 and 13 megapixels. That reaches 35mm film quality and more! They are pricey, but in a few years they should be affordable for all photographers.

http://www.luminous-landscape.com/reviews/cameras/1ds/1ds-field.shtml

 

 

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YOUR OWN WEBSITE! Display six of your images on your personal Web page http://www.photosourcefolio.com You'll benefit by the larger traffic that passes through PhotoSource.com. Only $4.95 per month. Cheap! For details info@photosourcefolio.com

PhotoAIM is a collection of excerpts from our monthly newsletter, PhotoStockNotes, available through the web anywhere in the world $3.00 per month. (We now have it available in German.) PhotoStockNotes is also available via postal mail in the USA: $3.00 per month. Outside the USA: $5 per month. >http://www.photosource.com/psnintro.html

Feel free to forward this issue of PhotoAIM to your photographer friends.

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New products for stock photographers can be found by typing in ' GoodStuff' in the Search section of PhotoStockNotes.

http://www.photosource.com/goodstuff/index.html

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385b

Next Week: A Word is Worth a Thousand Pictures