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Key words in this issue: Not Pro? Gentieu vs. Getty | Sunshine | Bill Crane Published | Camera Insurance | ASPP Legal Seminar | Digital Contest | Color Management | Dynamic Dreamweaver | Photo Edit |
NEWSWORDS: Doctored Photo | State Photos | Photos in Court | Photography’s Roots | Nature Class | Pinhole Fun | Nast Wins | Kodak Plugs a Gap | Day in America |
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## PhotoAIM weekly newsletter for 05/17/03 ## 392b
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PhotoAIM, the weekly newsletter from PhotoSource
International. <
http://www.photosource.com> ==>ISSN 1530-0511
If you no longer wish to receive PhotoAIM, see the instructions at the end of this newsletter.
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NOT A PRO YET?
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Challenge: Getting your foot in the door to make that first sale.
In today's world, photobuyers at book and magazine publishing companies rarely have face-to-face meetings with their suppliers. There's no need to. If you supply on-target photos – they'll supply checks.
So the "foot in the door" strategy translates to the delivery techniques you use to attract the attention of the photobuyer. As the saying goes, you never get a second chance at a first impression. If you want first-class treatment from a photobuyer, you'll want to give the photobuyer first class treatment by sending him/her a first-class package.
We’ll focus here on delivery by mail. In my thirty years of dealing by mail with buyers, I’ve seen that it’s extremely rare that anything gets lost by the U.S. Postal Service. Other means of delivery – FedEx, UPS, etc. — have good records, too, and are certainly convenient, but they may not be in your budget. U.S. mail does just fine, with some assistance from you.
First of all, don't package your material in brown envelopes (manila, craft, etc.). The color brown connotes third class. You want the photobuyer to think of you and your work as first-class. Use a white cardboard mailing envelope. For add additional support, place a piece of corrugated cardboard inside.
If you're sending slides (35mm is the standard), use the thick non-archival plastic clear-view sheets that snugly hold your slides, not the thin archival plastic sheets with loose pockets that your slides can drop out of. Caption and number your slides neatly and include your name and phone number on each. A computerized label program helps to give a professional look to your transparency mounts.
If you are sending B&W prints, they should be 8" x 10," which is the standard in the industry. It doesn't matter if they are glossy or matte. Insert them in a single 8 1/2" x 11" 3-mil plastic sleeve, available from most plastic bag distributors.
Photobuyers tend to "judge the book by its cover." Their reasoning is that if a photographer submits his/her work in a professional-looking package – (s)he's probably a savvy, hassle-free supplier. Editors don't have time to train anyone or hold their hand through a transaction. They prefer to spend their time photo editing. If your package signals that you are a hassle-free photographer, you will move to the head of the line.
YOUR FIRST CONTACT
If this is your first contact with a photobuyer – your letterhead will have as much impact as the quality of your images.
Consult with a graphics person to design your logo and letterhead. If the cost is too high, use your talents to barter. The graphic artist may appreciate a photo, or a family portrait, in exchange.
Always include your address, phone, fax, and e-mail address on your stationery. If you have access to a laser printer and some graphic clip art, tailor each cover letter to the editor you are contacting. For example, if you're contacting a magazine dealing with horticulture, incorporate a flower design in your logo. A jet airplane would be used for an aviation magazine, and so forth.
It's important that your envelopes, labels, business card and other business forms, also signal 'quality' and 'professional.' By looking like a pro with all of your materials, you'll experience a quicker response from photobuyers
Rohn Engh is Director of PhotoSource International and Publisher of PhotoStockNotes.
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This week's featured photographer on PhotoSourceFolio: !!! **** **** !!!! :
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http://www.photosourcefolio.com)########################################
COPYRIGHT
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Gentieu Loses Claim Against Getty
In Gentieu et al v. Tony Stone Images/Chicago, Inc. et al ("Getty") (00C269, March 26, 2003), the Federal District Court for the Northern District of Illinois dismissed a copyright and breach of contract claim brought by famous baby photographer Penny Gentieu.
Gentieu began photographing babies in 1985 using a technique that made the babies appear as if they were floating in white space without any shadow. In 1993, Gentieu appointed Tony Stone as her agent and, in 1995, Getty acquired Tony Stone.
In 1996, Getty art directors sent a "shoot brief" to Gentieu and other Getty photographers with suggestions for new baby images based upon trends and customer needs. As a result, several Getty photographers created and submitted baby images. Gentieu’s revenue for sales per image with Getty began declining shortly thereafter.
Gentieu sued, claiming that the resulting images were a copyright infringement. She also claimed that Getty’s actions in soliciting similar images from other photographers were a breach of fiduciary duty and a breach of contract. The Court disagreed and dismissed Gentieu’s claims in their entirety as a matter of law without a trial or jury.
CAN'T COPYRIGHT AN IDEA
The Court first dismissed Gentieu’s copyright infringement claim. Because Gentieu "cannot claim copyright in the idea of photographing naked or diapered babies or in any elements of expression that are intrinsic to that unprotected idea," the Court held that her copyright "is limited to protecting against exact replication of her images." [Italics added]
Copyright, the court said, protects the expression of ideas but not the ideas themselves. Copyright "does not extend to the subject matter of the image itself, but instead protects the expression of the subject as contained in such elements of the author’s composition as the selection of lighting, shading, camera angle, background and perspective."
In this instance, however, Gentieu’s white backgrounds, straight camera angles, and sharp focus were not protectable original elements. Rather, the Court considered these features to be indispensable to studio portrait photography and, therefore, unprotectable under copyright law’s scénes á faire doctrine (i.e., scenes that must be done). This doctrine makes it impossible to have copyright protection in standard photographic conventions and devices necessary or standard in a genre. To protect these elements, the Court stated, "would come all too close to granting one photographer a monopoly over all photographs of naked babies on white backgrounds . . . ."
Thus, even though the allegedly infringing images showed babies of similar ages and coloring, using white backgrounds, straight camera angles and sharp focus, they were not "substantially similar" or infringing. For similar reasons the court found that there was no infringement of Gentieu’s photocompositions that contained more than one baby.
GETTY NOT AT FAULT
The Court also found that Getty did not breach its fiduciary or contractual obligations by requesting that other photographers supply baby images. Although Getty was required to act with loyalty and good faith toward Gentieu, there was no evidence that Getty sought to replace Gentieu’s images. The Court found that it is inherent in the stock photography business for agents to solicit similar images from a variety of photographers, and Gentieu knew from the start that the agency represented competitors and was soliciting other baby images.
Copyright © 2003 Stephen Filler. Stephen Filler is an attorney in New York state (
www.nylawline.com) whose practice focuses on intellectual property, copyright, trademark, technology, media, contracts, corporate and photography law. His office is located at 303 South Broadway, Tarrytown, NY 10591, 212-204-3508, sfiller@nylawline.com. This column is to be used for informational purposes only; it is not legal advice. For legal advice, please consult an attorney.
TRAVEL NOTES
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Timing
Like a lot of things in life, timing is crucial, and it most certainly is to a travel photographer. On a trip in the Australian Outback recently, I had several days of cloudy-bright, then sun-and-clouds weather, and they happened to be when I was in the key places I wanted to shoot. In such a vast area as the state of Western Australia, backtracking to re-shoot for the weather is not a viable option, either in time or finance terms.
So I ended up staying longer in each place than originally planned, waiting for the holes in the clouds and the sun to come through. It was worth it. This was better than the flat light overcast days, which would have meant taking pictures that were just a waste of film. But to confess, I have taken a few frames even so, in absurd optimism and out of frustration, knowing full well that they are unsellable. Irrational maybe, but it helps at the time!
INSTANT SUNSHINE
Avoiding the sky in the shot where possible is another way of making a trip seem like it was shot in constant sunshine, as a cloudy sky is a giveaway and reduces sales potential. (Nice puffy clouds, though, can give a picture an added dimension.) Find angles that exclude the sky; maybe not the best solution but at least it will push you into trying a different approach.
Plan your trip in as much detail as you can, easy to do for anywhere in the world with the Internet, using a search engine such as Google. But never allow 'Plan A' to totally dictate, as better things or glitches can come along. Be prepared to change and go on to 'Plan B.' Flexibility is a great asset for any travel photographer.
This can add time and lengthen a trip of course, which is one outstanding reason why the life of a travel photographer is very different from a travel writer who makes notes and moves on. The latter can see a place in pouring rain, then add loads of brilliant sunshine with words later. If only I could do that with pictures!
Happy Shooting!
Jeremy Hoare is a freelance travel photographer residing in London, England. Phone/Fax: +44 20 7722 2065. E-mail: jeremyhoare@hotmail.com. Web:
www.travelwriters.com/jeremyhoare.Travel photographers will find profitable information in the newsletter, TravelWriter Marketletter, founded by Robert Scott Milne. For info:
mimi@travelwriterml.com . Ask for a sample to be sent to you.
SHOOTERS
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One of Bill Crane’s images--"Philadelphia From Art Museum," was chosen for three separate retail products to be sold at the new Constitution Center opening in Philadelphia on June 1st 2003.
BUSINESS NOTEPAD
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CAMERA EQUIPMENT INSURANCE as well as computer equipment insurance can often be included in your household insurance. But because of nearly three years of the economy's bear market, and the losses insurance companies historically experience with homeowner's insurance, many insurance companies are not renewing homeowner's insurance for customers who have submitted several claims. The way to keep in the good graces of your insurance provider and avoid their "three claims and you're out" policy, is to hold back in declaring a claim when you can afford to. In other words, you pay the loss yourself on the small claims. You can also lower the cost of your premiums by increasing your deductible from, say, $500 to $1,000. If your auto insurance company also offers home insurance, buy your homeowner's from them. They'll be less likely to send you a "non-renewing" notice. If you do get a "non-renewal" notice from your insurance company, you can find out the reason why at this website: < www.consumerdisclosure.com > ( 800 456 6004 ). –RE
WORKSHOP
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THE ASPP LEGAL SEMINAR. June 2, 2003. Attorney Joel L. Hecker and ASPP Legal Chair Jane S. Kinne will cover the legal aspects of image rights management from both the image owner’s and image user’s point of view, especially as they relate to the new world of digital media and e-commerce. Seating is limited. Respond no later than May 27, 2003. Cost: $50, ASPP Members; $75, non-members. Includes catered luncheon. Contact Judy Feldman, ASPP National Education Chair, c/o Feldman & Associates, Inc., 211 Waukegan Rd, Ste 200, Northfield, IL 60093. E-mail:
jfeldman@feldmans.net . Phone: 1 847 784-0404, ext. 123.
CONTESTS
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2003 NATIONAL DIGITAL ART EXHIBITION. Deadline: June 14, 2003. Open to all artists using computers to create artworks, either from scanned imagery or entirely computer-generated. Juror: Dale O’Dell. Fee: $25/4 entries, $5 each additional. Contact with SASE: The Muse Gallery, 117 N. McCormick, Prescott, AZ 86301. E-mail:
sawyeratkinson@hotmail.com . Phone: 1 928 442-1188.2003 INTERNATIONAL JURIED COMPETITION. Deadline: June 7th, 2003. Awards: $1,000; Gallery Group Shows. Fee: $25/3 entries, $5 each additional entry. Contact with SASE: Juried Competition, Alpan Gallery, 2 West Carver, P.O. Box 4319, Huntington, NY 11743. Phone: 1 631 423-4433. E-mail:
alpan@larsausa.com . Web: http://www.alpangallery.com .19TH NATIONAL JURIED EXHIBITION 2003. Deadline: May 23, 2003. Awards: $1,200. Fee: $9/slide, $18/two slides, $45/five slides. Contact: Berkeley Art Center, 1275 Walnut St, Berkeley, CA 94709. Phone: 1 510 644-6893. Web:
http://www.BerkeleyArtCenter.org .THE 2003 PHOTO REVIEW PHOTOGRAPHY COMPETITION. Deadline: May 15, 2003. Cash prizes: $1,000. Fee: $25/up to 3 entries, $5 each for up to 2 additional entries. Contact with SASE: The Photo Review, 140 East Richardson Ave, Ste 301, Langhorne, PA 19047. Phone: 1 215 891-0214. Web:
http://www.photoreview.org .
GOOD STUFF
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MANAGING THAT COLOR. "C" is for Color. "C" is also for confusing. But two new books from Peachpit Press demystify the subject very nicely: (1) Photoshop Color Correction: The Essential Guide to Color Quality for Digital Images, by Michael Kieran, Peachpit Press, 2003, 384 pages, $49.99 (including CD with before-and-after images from the book), ISBN # 0-321-12401-4. After chapters on Color Fundamentals and Color Management, Kieran introduces the reader to the various Photoshop tools useful in color correction. He then provides separate chapters on Highlights and Shadows, Neutral Tones, and Contrast, before turning to a chapter each on Sharpening and Advanced Techniques.
http://www.photosourcefolio.com/bookstoreone.htm#0321124014 . (2) Real World Color Management, by Bruce Fraser, Chris Murphy, and Fred Bunting, Peachpit Press, 2003, 534 pages, $49.99, ISBN #0-201-77340-6. Whereas Kieran's book shows you how to make your colors correct, this one shows you how to make your colors consistent, so that what you see (on your monitor) is what you get (on your printer) and what your clients get (in their book, magazine, or Web page). http://www.photosourcefolio.com/bookstoreone.htm#0201773406 . -David ArnoldDREAMWEAVER MX DYNAMIC APPLICATIONS: Advanced Training from the Source, by Jeffrey Bardzell. This book guides you to learn by doing. It helps you create several integrated applications, including searchable listings, a price calculator and a content management system. The enclosed CD-ROM contains all the files you need to complete the projects, plus completed files for you to compare with your own results, and to use as models for future projects. ($44.99; ISBN: 0-321-16680-9) Contact: Peachpit Press, 1249 Eighth St, Berkeley CA 94710. Phone: 1 800 283-9444. Fax: 1 510 524-2221.
www.photosourcefolio.com/bookstoreone.htm#0321166809 .PHOTOGRAPHIC LIGHTING SIMPLIFIED, by Susan McCartney. Starting with equipment as basic as a garage light and tripod, Photographic Lighting Simplified shows readers how to build their studio piece by piece acquiring the right mix of hotlights, flashes, strobes, and accessories. ($19.95; ISBN: 1-58115-256-6; 176 pages) Contact: Allworth Press, 10 E 23rd St, Ste 510, New York NY 10010.
QUOTE OF THE WEEK
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"What is written without effort is in general read without pleasure."
–Samuel Johnson
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THIS WEEK'S WEB FEATURE
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Visit the PhotoSource International homepage! Nearly seventy different sections with all the information you're looking for await you.
Watch for developments in the field of stock photography in PhotoAIM's
PHOTOGRAPHY IN THE NEWS
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You'll be the first to know…
Note: If the URL is long, it may extend to two lines. In that case - clicking on it won't work. Instead, "copy and paste" the URL.
Brian Walski Discusses His Doctored Photo - Walski spoke at length to PDN senior editor David Walker about what he did, how he feels about his actions, and what his plans are now.
http://www.pdn-pix.com/news/#4
Photographer Travels Minnesota Looking for "Minnesota" - Little Falls photographer Mike Jensen spent 21 days traveling the state and taking pictures of the word "Minnesota" displayed in every one of the state's 87 counties.
http://www.kare11.com/news/news-article.asp?NEWS_ID=46644
Deputy Coroner Cleared in Ohio Photo Case - - An appeals court Friday threw out the conviction of a former deputy coroner found guilty along with a commercial photographer who took pictures of bodies in the county morgue.
http://story.news.yahoo.com/news?tmpl=story&u=/ap/20030509/ap_on_re_us/morgue_photos_2
Photography's lost ancestors laid bare
http://www.guardian.co.uk/international/story/0,3604,953791,00.html
Nature photography class offered
http://www.theadvertiser.com/acrossacadiana/html/228131E7-EB11-4952-8D37-43EECEC9B869.shtml
Fun with pinhole photography
Conde Nast Traveler Wins National Magazine Award for Photography
Austin Buys Austin-Grown Photo Technology Eastman Kodak is making a move aimed at plugging a gap between photography's old and new ways of capturing images.
Recording Another Day in America, Aided by Digital Cameras
http://www.nytimes.com/2003/05/12/business/media/12LIFE.html
ANWR Photos Get Cool Reception From The Smithsonian - After photographer Subhankar Banerjee spent fourteen months in Alaska's Arctic National Wildlife Refuge (ANWR) the Smithsonian Institute offered him a prestigious exhibition in its National Museum of Natural History. But on March 19, California Democrat Barbara Boxer, a vocal opponent of oil exploration in the ANWR, held up Banerjee's photos on the Senate floor as evidence that the refuge was not an uninhabitable wasteland, as drilling proponents argue. The Smithsonian, which does not take advocacy positions, was clearly spooked by Boxer's comments.
http://www.pdn-pix.com/news/ - 1
The Streets Where We Live New Museum Honors the Real Washington - To some, Washington is a political parade of the Adamses, the Lincolns, Douglasses, the Roosevelts and the Kennedys. To others it is a photogenic ...
http://www.washingtonpost.com/wp-dyn/articles/A52481-2003May13.html
Turn your photos into full-scale panoramas -
http://www.zdnet.com/anchordesk/stories/story/0,10738,2913607,00.html
Total Skin Photography Spots Cancerous Moles Early - He is a biomedical photographer who performs total skin photography, a procedure that is designed to catch suspicious moles early.
http://www.thebakersfieldchannel.com/health/2196673/detail.html
Photographer 'raped naive young models' - A photographer raped and sexually assaulted young models at his home after bullying them into posing naked or scantily clad, a court was told yesterday.
After 77 days, reporter, photographer return from war in Iraq – Mortenson and Palmour spent most of those 77 days "embedded" - living, eating and "occasionally" sleeping side by side - with Marines from Camp Pendleton's 3rd Battalion, 1st Marine Regiment, who helped lead the U.S. invasion of Iraq.
http://www.thetandd.com/articles/2003/05/12/news/news3.txt
Total Skin Photography Spots Cancerous Moles Early Doctors Can Compare Color, Size Over Time
http://www.thebakersfieldchannel.com/health/2196673/detail.html
Atlantic Monthly, New Yorker Win Awards - The Atlantic Monthly and The New Yorker came away with multiple National Magazine Awards this year, along with a surprise winner - Time Inc.'s Parenting. The highest honor for photography went to Conde Nast Traveler.
http://story.news.yahoo.com/news?tmpl=story&u=/ap/20030509/ap_on_en_ot/magazine_awards_1
Hope for freedom at Daegu festival
http://www.koreaherald.co.kr/SITE/data/html_dir/2003/05/15/200305150030.asp
Judging for photography competition held
http://www.brudirect.com/DailyInfo/News/Archive/May03/130503/bb09.htm
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http://www.photosourcebook.com/bank
PhotoAIM is a collection of excerpts from our monthly newsletter, PhotoStockNotes (We now have it available in German.) PhotoStockNotes is also available via postal mail in the USA: $3.00 per month. Outside the USA: $5 per month. >
http://www.photosource.com/psnintro.htmlFeel free to forward this issue of PhotoAIM to your photographer friends.
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392b
Next Week: David or Goliath?