Key
words in this issue: Lost Slides
| Delivert Memo | Value |Officials | Security
| Office Work | Library of Congress |
Copyright Law | Losers | Homework | Marketing
| Specialize | Budget | Branding | Play
| Memory Card | Photoshop | Mac | LCD
Monitor | Calibration | Travelers Abroad
| Accuracy | Recall | Internet | Service
| Photo Search |
News Words: Printing
Black and White Images | Books Reviewed | Break through Chip
Delivers | Entirely Digital | Gallery-Quality Digital Photos
| Snapped John Lennon | Film Stands Superior | One Good Eye
| Focus on Digital | Dutch Photographer | Navajo Traditions
| |
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PhotoAimLite, the monthly newsletter from PhotoSource International. http://www.photosource.com ISSN 1530-0511 If you no longer wish to receive PhotoAimLite, see the instructions at the end of this newsletter. |
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Who
decides?
The Value of Lost Slides
by Joel Hecker, Esq.
I have previously reported on cases involving loss of slides
and questions of evaluation, and on other cases involving
copyright infringement. A new case in Washington State now
has both!
The case involves Chase Jarvis, a photographer engaged in
outdoor sports and active lifestyle photography, and K2, Inc.
and its subsidiaries, the maker of skis and other sporting
goods equipment.
The photographer had a relationship with the defendant for
a number of years and provided photographs for limited use.
They had both oral and written contracts depending upon the
time frame and photographs concerned. At issue in this case
were two written and various oral contracts.
The written contracts each contained a clause that stated
that it constituted the entire agreement of the parties and
could only be modified in a writing signed by the parties.
This of course is a standard type clause and is called a "fully
integrated contract". This is important because the photographer,
after completing each photo shoot, submitted the images along
with a standard Delivery Memo which provided for the customary
$1500 per image liquidated damage clause in the event of loss
or damage.
The Court found on the loss claim that 396 slides had not
been returned but that the Delivery Memo containing the $1,500
evaluation could not be considered because it constituted
an unacceptable oral modification of a written contract. Since
the integration clause of the contract did not permit oral
modifications, the Court found that the Delivery Memos, which
were not negotiated in advance nor accepted by the defendant,
were not admissible.
The Court then went on to consider fair market value of images
used by the photographer, taking an average of licenses granted
for various markets and various uses within the markets. The
photographer's expert witness testified that it was impossible
to know the value of the lost slides and what their potential
value in the future might be. This was in part because the
photographer was not able to identify which slides in particular
were missing from all those submitted (a substantial portion
of the submissions were in fact returned). In addition, the
expert testified that perhaps 90% of the lost slides might
have no value.
As a result of this and other evidence, the Court concluded
that while some of the missing slides were potentially very
valuable and might have generated thousands of dollars in
licensing fees, others would have no value at all. The Court
concluded that for all but one of the images the average value
was $500. The one exception was where the defendant acknowledged
that $1,500 was due and in that case the Court granted $1,500.
The total awarded for the loss of slides was $199,000.
Want to read more of this article? Go to: http://www.photoaim.com/legal128.html
How
to Handle the Officials
The scene: an important college football
game, and you're arriving to get photos
of the opening kick-off both for your
stock file and an assignment. You'll leave
as soon as you get the pictures -- so
you have no reason to pay admission. You
want to sell your photos. You enter by
a side gate and you are met by an attendant
with a officious,"Where do you think
you're going?" expression.
You don't want to allow this fellow to steal precious minutes
from you, so you attempt to ignore him. You walk right past
him. "Wait a minute!" he says, insulted that you
have not recognized his importance. He has the right to detain
you, and he does -- long enough that you miss the kick-off
shots.
Sound familiar? It is, unless you have learned this stock
photographer secret: "Officials: Handle With Care."
HANDLE WITH CARE
As photo illustrators, many times to get our pictures we have
to first get permission from someone. Security is getting
tighter and tighter in many sectors, and it's sometimes understandable
that because of past abuses -- or the increase in population
-- it's necessary to screen who takes pictures of what. You'll
encounter officials in many forms: gate keepers, receptionists,
policemen, bureaucrats, teachers, secretaries, security guards.
You'll even encounter unofficial officials: janitors, ticket
takers, bystanders, relatives of officials, etc. But no matter
who presents her/himself as an 'official' (barrier) to your
picture-taking, handle them with care and allot that amount
of time you sense will satisfy their "need" to detain
you.
One of the easiest officials-eliminators is the "I need
your help" statement. In the case of the football gate
attendant, you say, "Could you help me? I need to get
a picture of the kick-off (you look at your watch) for _______
(your assignment or name of publication) -- could you tell
me the quickest way to the 50-yard line?"
Want
to read more of this article? Go to: http://www.photoaim.com/ed63.html
to sell your photos
COPYRIGHT...
It Costs You Nothing...
In my
seminars and workshops I ask the audience members, "What
does it cost to copyright an article, a song, or a photograph?"
"$30!" a veteran editor says.
"$10!" another corrects him.
"$100, plus attorneys fees..." another says.
They're all wrong. It's free.
Copyrighting anything you have created costs you nothing.
You simply put ‘Your Name 2005’ (2006, etc.) on
it, beside it, or wherever the public can read it, and the
act of copyright is done. It's free -- a gift from your government.
You've probably heard that registering your copyright costs
you $30. Yes, that's true, there is a $30 dollar fee if you
choose to formally register your song, short story, photograph,
painting, or whatever. You fill out Form TX for the written
word, or form VA for graphic creations, such as photographs.
Send in two copies of the 'work', plus your $30 dollars, to
the Register of Copyright, Library of Congress, and your work
will be entered into the archives and you will be in a better
position to collect compensation in case of copyright infringement.
However, your work is still protected when you simply place
a (c), plus your name or the name of your publication, on
your masthead of your periodical, or over one of your thumbnails
on the web.
Want
to read more of this article? Go to: http://www.photoaim.com/05rb23.html
##################################
MORE SALES. When you sell a stock photo
from your file, it’s like finding money.
Many photos in your file languish there because
photobuyers don’t know they are there.
What if there were a way to broadcast their
availability? And it would cost you no
more that the average sale price you’d get
for one of your photos ? In December, many
stock photographers will begin to realize
profits from images that are in inventory, but
not getting the exposure they need. The
PhotoSourceBOOK will be the key to multiple
sales of your images. Watch for more notices.
We’ll let you know how you can be on an
photobuyers desk 365 days a year.
##################################
Start
Today
"I
have a great product, and I know exactly where it can be sold
at this moment. But the only thing standing between me and
seeing my product in national circulation is procrastination."
Have you heard this before?
By applying the same management techniques that are used by
successful businesses, you can move your stock photography
operation forward. Here are some self-management principles
for the small business entrepreneur:
GET IT
DONE. It's easy to slip into the habit of narcoticizing yourself
with the evening news or a sitcom. Change your habits. Buy
a $4.95 quartz alarm to beep the same time every evening to
remind you and others in your household that it's "Marketing
Time" -- in others words, time to devote some specific
time to getting your business off the ground.
DO ONE THING WELL. Creative people often do themselves in
because they are talented in many areas -- music, writing,
painting, crafts, and so on. Choose one, and begin today to
develop just one area of your creativity.
ASK AROUND. Don't reinvent the wheel. There's a goldmine waiting
for you in the neighbor or friend or acquaintance who's already
been there. He knows the pitfalls, barriers, and obstacles,
especially if he's failed. Everyone loves to be an expert.
Weigh their opinions against others’, and then come
to a consensus. If you don't want to consult a local competitor,
phone someone in another like-sized city who is traveling
the same highway.
ELIMINATE THE LOSERS. Take time to analyze what's working
for your business and what's not. Parts of your business are
moneymakers, others are not. Don't let sentiment or the tired
phrase, "We've always done it this way," drag you
down.
LOOK LIKE A PRO. Too many entrepreneurs feel that because
their product is good, it should sell. Not so. A "better
mousetrap" will not insure your product's success. Employ
packaging techniques. You don't get a second chance at a first
impression. If you want first class sales to your clients,
give them first class treatment. Build a quality website.
Invest in deluxe stationery, labels, and product packaging.
DO YOUR HOMEWORK to sell your photos,
Jumping in with two feet and enthusiasm
is fun and romantic, but unless you've
checked to see if water is in the pool,
you're in for some disappointments. If
your enthusiasm is still high after you've
done your research, you've got a winner.
Want
to read more of this article? Go to: http://www.photoaim.com/05rb20.html
The Memory Card:
“Color
Me Accurate”
by David Arnold & Gail Rutman
Is what you see when you submit an image what photobuyers
see when they open it on their monitor? Unless you’ve
calibrated your monitor with a hardware-based calibration
system, the answer is almost certainly no.
You already have a basic calibration tool. With Windows you
can use the Adobe Gamma utility that’s built into both
Photoshop and Elements (Start > Control Panel > Adobe
Gamma). If you’re on a Mac, you have the built-in Display
Calibrator Assistant (System Preferences > Displays >
Color). Simply view a series of colors and patterns that are
displayed on-screen, and adjust your monitor settings based
on them. This approach, however, relies on the world’s
most imprecise calibration device: the human eye.
Accurate calibration requires a precision measuring device,
typically a colorimeter. This hardware device is placed on
the screen of your CRT or LCD monitor. The accompanying software
then displays a series of squares of known color and luminosity,
and tracks the discrepancies between how they should appear
and how they actually appear. The software then generates
and stores a profile that your video card uses to correct
the appearance of your images. The calibration process just
takes a few minutes, and since monitors drift over time should
be repeated periodically.
Calibration hardware, along with the software that walks you
through this process, is available from ColorVision (www.colorvision.com),
Digital Light and Color (www.dl-c.com), Monaco (www.xritephoto.com),
and Greytag-McBeth (http://na.i1color.com). We tested units
from two of these companies—Digital Light & Color’s
Profile Mechanic, and ColorVision’s Spyder2—on
one CRT monitor and two LCDs. Both units gave impressive results,
but the Spyder2 had better documentation and was easier to
use. On the other hand, the most thorough laboratory tests
we’ve seen (The Seybold Report, 1/26/05) found Profile
Mechanic’s monitor profile the most accurate.
Want to read more of this article? Go to: http://www.photoaim.com/mcard19.html
TRAVELERS
ABROAD
Photographers:
We broadcast your foreign destinations along with contact
information, departure date, length of stay, etc. Contact
PhotoStockNotes
(1 715 248-3800) at least two months in advance.
Robert
Ahrens
October 19 – October 29, 2005
Buenos Aires, Argentina
November 5 – November 20, 2005
Rio De Janiero, Brazil
Steve
Robertson
November 7 – December 29, 2005
Vietnam, Cambodia, Laos, Thailand
ON-LINE
by Bill Hopkins
The
Sounds of Typing
Researchers at the University of Berkeley, CA, have been able
to figure out what's been typed on a computer keyboard just
by listening to the sounds made while typing. They fed the
sounds into a computer, and using an algorithm they developed
for deciphering the acoustic signatures, were able to determine
what was typed with a 96% accuracy! They used no special recording
equipment, and the algorithm was adaptive and able to filter
out background sounds such as music or ringing cell phones,
and to handle multiple people typing simultaneously. While
this "acoustic snooping" technique may be more likely
utilized for corporate espionage or spying on top-secret installations,
such usage may now or in the future be used to extract your
personal information as it's being entered into databases
by those big data aggregators, or other institutions such
as banks, brokerage firms, and insurance companies. The list
could be endless.
The Unannounced
Recall
Been having problems lately with your digital camera or camcorder?
Problems with distorted or blank images in the viewfinder
or display, perhaps? The problem may be in the imaging chip,
and if so, you can probably get it fixed for free. The defective
chip was made by Sony between 2002 and 2004, has since been
discontinued, but cameras containing the chip may still be
on dealers' shelves. Equipment from Sony, Canon, Konica, Minolta,
Rico, Fuji, Nikon, and Olympus are among makers of the over
80 models of cameras, camcorders, and hand-held computers
that may contain the chip. Hot and humid environments increase
the likelihood of chip failure. These companies have promised
to repair the camera for free (or replace it at their discretion),
provided the problem is in the imaging chip and the chip has
failed. If you have a camera with this chip that has not failed,
you're out of luck until (or if) it fails. Check the respective
company's websites for a listing of affected models. As an
aside, we all know that major manufacturers (and not just
camera makers) sometimes share parts made by others. This
is especially true with complicated computer chips. And we
also know that they don't generally reveal this "little
secret," which was the case here with the imaging chip.
The commonality was first revealed by www.imaging-resource.com,
which among other things, contains reviews of digital cameras.
You can check out their listing of affected models at http://www.imaging?resource.com/badccds.html.
More power to the Web!
Want
to read more of this article? Go to: http://www.photoaim.com/onlin163.html
PHOTOGRAPHY
IN THE NEWS
Note:
If the URL is long, it may extend to two lines. In that case
- clicking on it won't work. Instead, "copy and paste"
the URL.
Photography
How-to: PRINTING BLACK AND WHITE IMAGES - The digital world
is not kind to those of us who crave the graphic punch of
black-and-white photos. So what's a creative pro who prefers
the world in shades of gray to
do? http://www.creativepro.com/story/feature/23701.html
Christmas
Special: Photography BOOKS REVIEWED - In case you hadn't heard,
photography is going through a crisis at the moment, a spell
of spiritual self-doubt. http://enjoyment.independent.co.uk/books/reviews/article332684.ece
BREAKTHROUGH
CHIP DELIVERS Better Digital Pictures For Less Power - "These
two technologies may work together or separately to greatly
reduce the energy cost of capturing a digital image,"
says Bocko. "One is evolutionary in that it pushes current
technology further. The second may prove to be revolutionary
because it's an entirely new way of thinking about capturing
an image in the first place." http://www.photonicsonline.com/content/news/article.asp?docid=%
7b31C56DA8-3856-4427-A6E2-6A8E6CFFCEBA%7d&VNETCOOKIE=NO
Imagine
a paper without pictures - Today, photography at the Daily
News is ENTIRELY DIGITAL. A photograph can be ready for print
in less than a minute - much faster than it took early photographers
to set up their camera. http://www.winonadailynews.com/articles/2005/12/11/
news/01photos.txt
Create
GALLERY-QUALITY DIGITAL PHOTOS with Digital Art Photography
For Dummies - In Digital Art Photography For award-winning
journalist and photographer Matthew Bamberg, covers the steps
and techniques needed to take and print gallery-quality photos
with digital equipment. http://www.creativepro.com/story/news/23722.html
Lennon
bed-in photographer dies - Gerry Deiter, who SNAPPED JOHN
LENNON and Yoko Ono at their 1969 Montreal bed-in for peace
has died, just a day after the 25th anniversary of Lennon's
murder. http://www.cbc.ca/story/arts/national/2005/12/11/
Deiter-Obit.html?ref=rss
Magical
moments - John Lambing believes FILM STANDS SUPERIOR to digital
and that patience is the best ally in landscape photography.
http://www.helenair.com/articles/2005/12/12/
montana_top/a01121205_03.txt
Digital
photography gets kids into history - Photographer/author Michael
S. Class has written a marvelous American history book for
children that is factual and fun. http://www.pennlive.com/entertainment/patriotnews/
index.ssf?/base/entertainment/1133950810167220.xml&coll=1
A Million
Memories - Michael Pigeon, Sun photographer, retires after
36 years. His ONE GOOD EYE served him and The Sun's readers
better than the two that other photographers have at their
disposal. http://www.lowellsun.com/local/ci_3297223
Macworld
Expo 2006: FOCUS ON DIGITAL Photography
A sample of those exhibiting companies include: Adobe, Canon,
Nikon, Olympus, Quark, FileMaker, Lowel-Light, HP, Epson,
http://www.macobserver.com/article/2005/12/12.4.shtml
DUTCH
PHOTOGRAPHER John Lambrichts holidayed in Malaysia five years
ago to get his mind off his first photography project but
never imagine it would start a second one ttp://www.mmail.com.my/Current_News/MM/Monday/National/
20051212095011/Article/index_html
Honoring
NAVAJO TRADITIONS in photography
http://www.gallupindependent.com/2005/dec/121005ntp.html
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Greetings
…and best wishes for 2006
A
free gift. In place of your monthly PhotoAimLITE,
you will automatically receive a free trial subscription (4
months - 16 issues) of the weekly PhotoStockNOTES newsletter,
beginning January 1st.
On January 1st 2006, your free subscription
to PhotoAimLITE will end.
The
weekly PhotoStockNOTES contains twice as much information
as PhotoAimLITE, and costs only $14.99 per year.
You'll receive professional marketing tips; contests; seminars
and workshops; a list of active markets every third week;
photobuyer address changes; information on copyright, pricing,
legal issues, software for the stock photographer, and more.
SPECIAL:
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GOODSTUFF
THE NORTH AMERICAN NATURE PHOTOGRAPHY ASSOCIATION
(NANPA) is bestowing its highest honor to Patricio Robles
Gil, world-renowned nature photographer known for his passion
for conservation and the use of photography in protection
efforts in his home country of Mexico. The award will be presented
at NANPA's 12th Annual Summit, to be held February 9-12, 2006,
in Denver, Colorado. Robles Gil will be the Annual Awards
Banquet speaker. For information about NANPA and/or the 2006
Annual Summit & Trade Show go to http://www.nanpa.org
or call l 303 422-8527.
THE NATIONAL GEOGRAPHIC TRAVELER: GREAT BRITAIN.
Like all the books in the National Geographic Traveler paperback
series, This guidebook is rich with photography, maps and
historical context. Contains complete visitor information
plus hotels, restaurants, shopping, entertainment, and festivals;
details walking and driving tours; gives in-depth site descriptions
and background information. ($27.95; ISBN: 0-7922-7425-3)
Contact: Penny Dackis, National Geographic Society, 1145 17th
St NW, Washington, DC 20036. e-mail: areeves@ngs.org
WORKSHOPS
NANPA’s
12th ANNUAL SUMMIT AND TRADE SHOW. February 8 –
12, 2006. The NANPA Annual Summit is the connecting point
for those engaged in nature photography. By bringing professionals
and amateurs together in an open exchange of ideas, experiences,
and the newest technical information, the meeting provides
an ideal opportunity to communicate to nature photographers.
It offers exhibitors the opportunity to display products and
services to a key market. For more information contact: North
American Nature Photography Association, 10200 W 44th Ave,
Ste 304, Wheat Ridge, CO 80033-2840. Phone: 1 303 422-8527.
E-mail: info@nanpa.org.
Web: http://www.nanpa.org
.
FOURTH ASPP EDUCATION CONFERENCE IN SAN FRANCISCO,
March 23-26, 2006 at the Crowne Plaza Hotel in Union Square.
Fees: Single Day Fee for either Friday or Saturday (includes
all seminars and lunch): ASPP Members $250 day; Sister Organizations
$325 day; Non Members $375 day. For all of the events: ASPP
Members $400; Sister Organizations $525; Non Members $575.
For more information contact: Cathy D-P Sachs, The American
Society of Picture Professionals, 409 S Washington St, Alexandria
VA 22314. Phone: 1 703 299-0219. E-mail: cathy@aspp.com
. All of the details are on the website at http://www.aspp.com
or go to the registration page at http://www.aspp.com/2006_edconf
/2006_edconf.lasso.
###################
This week's featured photographer on PhotoSourceFolio: Aron
Hightower
(http://folio.photosource.com/2680)
###################
selling
your photos…
Anywhere in the World
The Internet is proving that it is the image-delivery system
of the future. It is important for photographers everywhere
to understand that their own influence, as photographers,
and their capabilities to compete in the marketplace, will
grow worldwide, as the Internet grows, whether they live in
a high mountaintop cabin or a high-rise in Hong Kong.
We are finding here at PhotoSource International that more
and more photobuyers are realizing the benefits the Internet
affords them for photo research. We talk with ten to 20 photobuyers
each day. As more and more computer-literate photo editors
come on board who know how to utilize the Web, photographers
will flourish.
The automobile, airplane, and the telephone launched huge
leaps in communication among peoples of the world, and so
do the capabilities of the new Internet delivery system. But
the Internet goes even farther. It affords independent photographers
the delivery power that was once the domain only of the large
stock photo agencies.
As a photographer, now that your images can be both pre-viewed
and transmitted electronically, you can open the curtain on
a brand new horizon of opportunity for yourself.
The top dog major stock agencies are no longer, well, top
dogs. In the past, creative persons, whether songwriters,
musicians, photographers, filmmakers, etc., had no way of
competing against the middleman agents. It was near impossible
to break into the ranks and get the attention of the buyers
directly.
The World Wide Web has changed all of this. For example, if
a major publisher is producing a book, CD, magazine article,
Web review, TV special, on agricultural growth of cucumbers
in Venezuela, there would be no reason to turn to a large
digital stock agency to seek the needed images. Using web
search engine efficiency, a buyer can, in minutes, locate
photos from independent freelancers, and save money by eliminating
the middleman.
Also important, images from a corporate stock agency would
usually be 'generic' in commercial style (smiling, contented
farm workers (usually models), shiny new equipment, clean
landscapes, etc.) This type of photo isn’t the primary
choice of most editorial buyers, who want real-life, on-the-scene
images.
THE AGE FACTOR
Furthermore, many agency images would be at least 6 to 12
months old. (It takes that long for the corporate bureaucracy
at most major stock photo agencies to acquire, edit, catalog,
and process a single image.)
The individual stock photographer not only has more recent
photos, but can in fact, within hours, produce the needed
photo and deliver it to the buyer, in high resolution, from
anywhere in the world, to anywhere in the world.
Independent photographers are able to use key words, plus
the power of search engines such as Google, to offer delivery
speed to buyers. Photobuyers are realizing it's to their advantage
to deal directly with independent stock photographers.
This is the main reason we have launched PhotoSourceGROUP,
which is a portal that not only posts hundreds of categories
of images for you, but also offers you a a “sit back
and let the buyers come to you” method of selling their
pictures. And PhotoSourceGROUP is a portal a rung ahead of
other image portals: PhotoSourceGROUP partners a unique system
of each photographer placing 3,000 image-descriptive key words
on their storefront site, making for a distictive winning
system for both photo buyers and photo suppliers.
Rohn Engh is director of PhotoSource International and the
new portal, www.photosourcegroup.com
Better
Information
O Tell me how I can
get this same information in PhotoAimLITE, but a whole month
earlier. https://www.photosource.com/
products/psn.php
1 800 624 0266
O Tell me about
the PhotoSourceGROUP image-display site gallery of stock photos
and how I can post 500 of my images for editors to buy. www.photosourcegroup.com
1 800 624 0266
O Tell me how
I can sign up for a 1/2 page ad in your PhotoSourceBOOK desk-top
directory that is distributed free of charge to 3,000 photobuyers
for use every day of the year. www.photosourcebook.com
1 800 624 0266
The
KRACKER BARREL, our chat section of our website
is now re-furbished and ready for your stock photo marketing
question(s).
Try it out. www.photosource.com/board
NOTE: At the gray bar at the top of the posts section where
it says, “GoTo” – Click on the word, Log
In.
This will allow you to register for the Kracker Barrel. (Be
sure to save your password.)
YOU'LL
QUALIFY to choose a valuable extra bonus if
you sign up for the
PhotoSourceBOOK 2006 directory before
December 31st.
No need to have your photo descriptions 100%
prepared at the time you sign up. Our software allows you
to add to or change entries anytime during the year on your
PhotoSourceBANK website (you get a year's free membership
when you sign up for your PhotoSourceBOOK page).
Meanwhile you can sign up before December 31st and be eligible
for your free bonus.
Limited to 200 photographers. Check it out
at http://www.photosourcebook.com.
Click on #16 "Bonus Page."
###################
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PhotoAimLite is a collection of excerpts from our weekly newsletter,
PhotoStockNotes, available through the web anywhere in the
world $14.99 per year. http://www.photosource.com/psnintro.html
Feel
free to forward this issue of PhotoAimLite to your photographer
friends.
###################
PhotoAimLite weekly newsletter is a product
of PhotoSource International, Rohn Engh,
Director, who is solely responsible for
its contents. Photo Search !
###################
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